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Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile ...
Less; see mosso, for example, meno mosso messa di voce In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [2] mesto Mournful, sad meter or metre The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or ...
Poco più mosso — Tempo I — Meno mosso — Più mosso (Tempo I) — Animato — Andante assai — Allegro scherzando — Poco più sostenuto — Più mosso — Animato; Described as extroverted, even showy, [citation needed] for much of its length, the concerto begins and ends with the same spacious D-flat theme.
Before the modern concept and notation of metric modulations composers used the terms doppio piu mosso and doppio piu lento for double and half-speed, and later markings such as: (Adagio) = (Allegro) indicating double speed, which would now be marked (=). [13] The phrase l'istesso tempo was used for what may now be notated with metric ...
After the statement of the long first theme, a quick and virtuosic "piu mosso" pianistic figuration transition leads into a short series of authentic cadences, accompanied by both a crescendo and an accelerando; this then progresses into the gentle, lyrical second theme in E ♭ major, the relative key. The second theme is first stated by the ...
Following the additional "Più mosso" section, the piano starts playing the first theme in a more block-chord format which will then transition the ensemble into a short funeral march written in 2/4 and 6/8. After this march, the second theme is reiterated one last time in the major mode with arpeggios as textural accompaniment. The piece ...
Theme B più mosso (faster) — theme stated in running eighth notes, with all harmony in the left hand. Theme C più lento (slower) — a sostenuto in the parallel key of C ♯ minor (D ♭ major, enharmonic equivalent to C ♯ major).
The più mosso uses mostly triplets in the left-hand and modulates to A ♭ major in measure 49. It ends with a cadenza before transitioning back to the primary theme. For David Dubal, the più mosso has a "restless, vehement power". [6] Huneker also likens the più mosso to a work by Beethoven due to the agitated nature of this section. [5]