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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
Found poem: a prose text or texts reshaped by a poet into quasi-metrical lines. Haiku: a type of short poem, originally from Japan, consisting of three lines in a 5, 7, 5 syllable pattern. [2] English-language haiku: an unrhymed tercet poem in the haiku style. Lekythion: a sequence of seven alternating long and short syllables at the end of a ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
New York artist Vincent Castiglia uses his own blood to make paintings, [2] and used it to make the artwork on the guitar of thrash metal musician Gary Holt. [3]The Anguished Man, an allegedly haunted painting by an unknown artist, contains the artist's blood in its paint, according to its owner.
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description ...
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The poem, which features both rhyme and alliteration, [2] is one of a relatively small number of lyric poems from that century, and the only one with music. It is not entirely clear whether the poem is complete, or just the refrain of a longer poem: there are no other poems in the manuscript that provide any context.