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Nahui Ollin symbol with an eye (ixtli) in the center. A solar ray and a precious stone (chalchihuitl) emanate from the eye, Codex Borbonicus (1519–1521) [1] Nahui Ollin is a concept in Aztec/Mexica cosmology with a variety of meanings. Nahui translates to "four" and Ollin translates to "movement" or "motion."
For an introductory guide on IPA symbols, see Help:IPA. For the distinction between [ ] , / / and , see IPA § Brackets and transcription delimiters . The Aztec or Nahuatl script is a pre-Columbian writing system that combines ideographic writing with Nahuatl specific phonetic logograms and syllabic signs [ 1 ] which was used in central Mexico ...
The Annals list his victims according to the days of the Aztec calendar: old people on 1 Alligator; small children on 1 Jaguar, 1 Deer and 1 Flower; nobles on 1 Reed; everybody on 1 Death; and young people on 1 Movement. On 1 Rain, he shoots the rain, so that no rain falls, and on 1 Water, he causes drought.
During the 19th century, the word 'codex' became popular to designate any pictorial manuscript in the Mesoamerican tradition. In reality, pre-Columbian manuscripts are, strictly speaking, not codices, since the strict librarian usage of the word denotes manuscript books made of vellum, papyrus and other materials besides paper, that have been sewn on one side. [1]
A copy of the original is held at the Princeton University library in the Robert Garrett Collection. The Aubin Codex is not to be confused with the similarly named Aubin Tonalamatl. [31] Codex Borbonicus is written by Aztec priests sometime after the Spanish conquest of Mexico. Like all pre-Columbian Aztec codices, it was originally pictorial ...
Técpatl (18th day sign of the Aztec calendar) (Image from the Codex Magliabechiano) In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle.
This is a list of gods and supernatural beings from the Aztec culture, its religion and mythology. Many of these deities are sourced from Codexes (such as the Florentine Codex (Bernardino de Sahagún), the Codex Borgia (Stefano Borgia), and the informants). They are all divided into gods and goddesses, in sections.
The tōnalpōhualli as aforementioned consists of twenty different day signs or Trecenas, which in almost all representations are accompanied with a glyph depicting its character. The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5]