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  2. Frequency modulation synthesis - Wikipedia

    en.wikipedia.org/wiki/Frequency_modulation_synthesis

    Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal.

  3. Audio frequency - Wikipedia

    en.wikipedia.org/wiki/Audio_frequency

    The SI unit of frequency is the hertz (Hz). It is the property of sound that most determines pitch. [1] The generally accepted standard hearing range for humans is 20 to 20,000 Hz. [2] [3] [4] In air at atmospheric pressure, these represent sound waves with wavelengths of 17 metres (56 ft) to 1.7 centimetres (0.67 in).

  4. Frequency - Wikipedia

    en.wikipedia.org/wiki/Frequency

    A pendulum with a period of 2.8 s and a frequency of 0.36 Hz. For cyclical phenomena such as oscillations, waves, or for examples of simple harmonic motion, the term frequency is defined as the number of cycles or repetitions per unit of time.

  5. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The bandwidth provided by the 44,100 Hz sampling frequency used by the standard for audio CDs is sufficiently wide to cover the entire human hearing range, which roughly extends from 20 Hz to 20 kHz. [ 2 ] : 108 Professional digital recorders may record higher frequencies, while some consumer and telecommunications systems record a more ...

  6. Orders of magnitude (frequency) - Wikipedia

    en.wikipedia.org/wiki/Orders_of_magnitude...

    1 Hz: 60 bpm, common tempo in music 2 Hz: 120 bpm, common tempo in music ~7.83 Hz: Fundamental frequency of the Schumann resonances: 10 1: 10 hertz 10 Hz: Cyclic rate of a typical automobile engine at idle (equivalent to 600 rpm) 12 Hz: Acoustic – the lowest possible frequency that a human can hear [3] 18 Hz: Average house cat's purr 24 Hz

  7. Mel scale - Wikipedia

    en.wikipedia.org/wiki/Mel_scale

    Some non-mel auditory-frequency-scale formulas use the same form but with much lower break frequency, not necessarily mapping to 1000 at 1000 Hz; for example the ERB-rate scale of Glasberg and Moore (1990) uses a break point of 228.8 Hz, [15] and the cochlear frequency–place map of Greenwood (1990) uses 165.3 Hz.

  8. Beat (acoustics) - Wikipedia

    en.wikipedia.org/wiki/Beat_(acoustics)

    For example, if a 530 Hz pure tone is presented to a subject's right ear, while a 520 Hz pure tone is presented to the subject's left ear, the listener will hear beating at a rate of 10 Hz, just as if the two tones were presented monaurally, but the beating will have an element of lateral motion as well.

  9. Undertone series - Wikipedia

    en.wikipedia.org/wiki/Undertone_series

    Undertone series on C. [1] In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series.While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways.