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Herbert F. Johnson Museum of Art: Stonehenge at Sunset: 1836 Yale Center for British Art: The White Horse: 1800s National Gallery of Art: Salisbury Cathedral from Lower Marsh Close: 1820 National Gallery of ArtAndrew W. Mellon collection: Cloud Study: Stormy Sunset: 1800s National Gallery of Art: A View on Hampstead Heath with Harrow in the ...
Whistlejacket is an oil-on-canvas painting from about 1762 by the British artist George Stubbs showing the Marquess of Rockingham's racehorse approximately at life-size, rearing up against a plain background. The canvas is large, lacks any other content except some discreet shadows, and Stubbs has paid precise attention to the details of the ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Self-portrait with his wife, Marie-Suzanne Giroust, painting Henrik Wilhelm Peill, at and by Alexander Roslin Aiding a Comrade , at and by Frederic Remington Cymon and Iphigenia , by Frederic Leighton
Battle of Orsha (painting) The Battle of San Romano; The Battle of Taillebourg, 21 July 1242; The Battle of the Amazons (Rubens) Before the Race; The Bewitched Man; Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses ...
John E. Ferneley (18 May 1782 Thrussington, Leicestershire – 1860 Melton Mowbray, Leicestershire), was an English painter who specialised in portraying sporting horses and hunting scenes. Although his rendition of horses was stylised, he is regarded as one of the great British equine artists, second perhaps only to George Stubbs .
Horses Leaving the Sea (1860) by Eugène Delacroix. Horses Leaving the Sea or Horses Coming Out of the Sea is an 1860 oil on canvas painting by the French artist Eugène Delacroix, now in The Phillips Collection in Washington, D.C. [1] Relatively atypical in Delacroix's oeuvre, it shows two horses leaving the sea led by a Moroccan rider, with the town of Tangiers in the background.
The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.