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The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo baritone, mezzo-soprano, mixed choir, and organ, or orchestra with organ.
For the same vocal forces, organ and (reduced) orchestra (several instruments ad libitum, but one or more string instruments in every movement): published in 1961; For the same vocal forces and piano (unpublished) Quatre Motets sur des thèmes grégoriens op. 10 for choir a cappella (1960): Ubi caritas et amor; Tota pulchra es; Tu es Petrus ...
On recordings, as in the liturgy, single movements have been performed to match a context. The Cambridge Singers , conducted by John Rutter , performed Ubi caritas in a collection This is the Day of music on royal occasions, while the Westminster Abbey Choir , conducted by James O'Donnell , performed Tu es Petrus for an album The Feast of Saint ...
Mark Rochester of Gramophone writes of the 'highly polished, virtually flawless sound of the Houston Chamber Choir' on the project. [6] James Manheim of AllMusic writes 'The album presents all of Duruflé's choral music, which fits conveniently on one CD, and it offers both distinctive performances and really superb recording of an impressive organ.'. [7]
Durufle Requiem - Vasari singers / Backhouse, Sarah Connolly, Christopher Maltman and Jeremy Filsell: Signum Records: 2012 Saint-Saens Piano Quartet, Piano Quintet and Barcarolle - Fine Arts Quartet, Ortiz: Naxos: 2013 Lutoslawski Cello Concerto - Sinfonia Varsovia / Maksymiuk: BeArton 2014 Mozart Piano Concertos 20, 21 arr. Lachner - Fine Arts ...
Jean Victor Arthur Guillou (18 April 1930 – 26 January 2019) was a French composer, organist, pianist, and pedagogue.Principle Organist at Saint Eustache in Paris, from 1963 to 2015, he was widely known as a composer of instrumental and vocal music focused on the organ, as an improviser, and as an adviser to organ builders.
Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris. Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation.
Maurice Ravel preferred the keyboard version of the instrument because it can play a true ff dynamic for brilliance and iridescence in orchestral climaxes. [3] In the late 20th century, the firm of Bergerault began manufacturing a three-octave (F 2 –E 4 ) mallet instrument with a damping mechanism operated by a foot pedal, which is capable of ...
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