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French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
Silver-gilt or gilded/gilt silver, sometimes known in American English by the French term vermeil, is silver (either pure or sterling) which has been gilded.Most large objects made in goldsmithing that appear to be gold are actually silver-gilt; for example, most sporting trophies (including medals such as the gold medals awarded in all Olympic Games after 1912) [1] and many crown jewels are ...
The glassblower then blows into the end of the tube. The glass expands to fill the mold. The glass takes on the shape of the mold. It is cooled. A silver nitrate solution is swirled about inside the ornament. This gives the ornament a silver glow. The outside of the ornament is painted or decorated with metal trims, paper clippings, etc. [32]
The artisans heated a glass tube over a flame, then inserted the tube into a clay mold, blowing the heated glass to expand into the shape of the mold. The original ornaments were only in the shape of fruits and nuts. After the glass cooled, a silver nitrate solution was swirled into it, a silvering technique developed in the 1850s by Justus von ...
Murrine – Italian term for patterns or images made in a glass cane (long rods of glass) that are revealed when cut or chopped in cross-sections. Pate de verre [3] – a paste of ground or crushed glass, and the technique of casting this material into a mold; also applied to a more general range of cast-glass objects.
Ornament in the Roman empire utilized a diverse array of styles and materials, including marble, glass, obsidian, and gold. Roman ornament, specifically in the context of Pompeii, has been studied and written about by scholar Jessica Powers in her book chapter "Beyond Painting in Pompeii's Houses: Wall Ornaments and Their Patrons."
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