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Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Basketweave or Panama weave [1] is a simple type of textile weave. In basketweave, groups of warp and weft threads are interlaced so that they form a simple criss-cross pattern. Each group of weft threads crosses an equal number of warp threads by going over one group, then under the next, and so on.
It consists of multiple horizontal strands and vertical strands, resulting in a square pattern associated with woven baskets. It is used in the following textile arts: Basket weaving; Basketweave in weaving; Basketweave in knitting; Basketweave in knot making; Basketweave as a variant of tent stitch in needlepoint; Basketweave in crochet
Mary Holiday Black (c. 1934 – December 13, 2022) was a Navajo basket maker and textile weaver from Halchita, Utah. [2] During the 1970s, in response to a long-term decline in Navajo basketry, Black played a key role in the revival of Navajo basket weaving by experimenting with new designs and techniques, pioneering a new style of Navajo baskets known as "story baskets."
Stone's basket-making is inspired by natural resources and living off the land. She harvests the black ash by hand through a process of pounding a freshly-cut log until the rings of the tree delaminate into splints of rough material which is then split and processed into strips for weaving.
The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve her complex designs, she carefully sketches them out before weaving. [5]
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