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The main purpose of such publicity stills is to help studios advertise and promote their new films and stars. Studios therefore send those photos along with press kits and free passes to as many movie-related publications as possible so as to gain free publicity. Such photos were then used by newspapers and magazines, for example, to write ...
Untitled Film Stills is a series of black and white photographs by American visual artist Cindy Sherman predominantly made between 1977 and 1980, which gained her international recognition. Sherman casts herself in various stereotypical female roles inspired by 1950s and 1960s films.
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A unit still photographer (or simply still photographer) creates still photos specifically for use in publicity and marketing of feature films and television productions. [1] [2] [3] In addition to creating photographs for the promotion of a film, the still photographer contributes daily to the filming process by creating set stills (or plate ...
He actively expanded his collection by advertising in magazines, [1] e.g. in the Winter 1959 issue of Film Quarterly "Wanting to buy: Old movie stills - ca. 1915 to 1935; early comedies -- well-known stars and productions." [3] In 1960, Bettmann moved it from his apartment at 215 East 57th Street, in New York City to the Tishman Building.
The photos were organized with numbers printed in the margins. [3] The most important and widely distributed photos were taken in separate photo studios, which consisted of portraits of stars, featured players, and sometimes the director. [2] The film Gone With the Wind had a key set of stills containing more than 1,000 photographs. [2]
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Located in Alberta, Canada, Flic Film packages 35mm cinema film from Eastman Kodak and Orwo into cassettes for stills photography and also produces its own house brand photo chemicals. The film is rolled by machine directly from 1000 foot reels and finished with a machine cut leader.