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The Hungry Lion Throws Itself on the Antelope (Le lion ayant faim se jette sur l'antilope) is a large oil-on-canvas painting created by Henri Rousseau in 1905. Following Scouts Attacked by a Tiger the previous year, The Hungry Lion was the second jungle painting to mark Rousseau's return to this genre after a 10-year hiatus caused by the generally negative reception to his 1891 painting Tiger ...
The Repast of the Lion is an early 20th century painting by French Post-Impressionist Henri Rousseau. [1] Done in oil on canvas, the work depicts a feeding lion in a jungle setting. The painting expands upon some of Rousseau's late 19th century work, and the foliage depicted in the painting was inspired by the artist's studying of Paris ...
The stylised forms of the jungle plants are based on Rousseau's observations at the Paris Museum of Natural History and its Jardin des Plantes. The nude's left arm reaches towards the lions and a black snake charmer who faces the viewer playing his flute, barely visible in the gloom of the jungle under the dim light of the full moon. A pink ...
Henri Julien Félix Rousseau (French: [ɑ̃ʁi ʒyljɛ̃ feliks ʁuso]; 21 May 1844 – 2 September 1910) [1] was a French post-impressionist painter in the Naïve or Primitive manner. [ 2 ] [ 3 ] He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll and tax collector. [ 1 ]
The Sleeping Gypsy (French: La Bohémienne endormie) is an 1897 oil on canvas painting by the French Naïve artist Henri Rousseau (1844–1910). It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night. It is held by the Museum of Modern Art in New York City, to which it was donated by Mrs. Simon Guggenheim in 1939.
Henri Rousseau's The Repast of the Lion (circa 1907, Metropolitan Museum of Art) is an example of naïve art.. Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). [1]
The Snake Charmer (French: La Charmeuse de Serpents) is a 1907 oil-on-canvas painting by French Naïve artist Henri Rousseau (1844–1910). It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake extending toward her from a nearby tree.
Henri Rousseau was not a Fauve, but his large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited near Matisse's work and may have had an influence on the pejorative used. [15] Vauxcelles' comment was printed on 17 October 1905 in Gil Blas, [13] a daily newspaper, and passed into popular usage.
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