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The earliest known Danish traditional music comes from the handwritten tune collections of musicians, such as the large collection of tunes by Rasmus Storm (ca. 1760). ). Collection of Danish folkmelodies began in the early 19th century, and figures such as Svend Grundtvig (1824–83), A. P. Berggreen (1801-80) and Evald Tang Kristensen (1843-1929) published significant collections of tunes and
Danish traditional music experienced a renaissance when the Anglo-American folk song wave hit Denmark around 1970. Among the prominent soloists, often composing new songs, were Sebastian, Poul Dissing and Niels Hausgaard. The successful Lars Lilholt Band led by the violinist Lars Lilholt combines the folk
American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. [ not verified in body ] The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that ...
Music scholars, journalists, audiences, record industry individuals, politicians, nationalists and demagogues may often have occasion to address which fields of folk music are distinct traditions based along racial, geographic, linguistic, religious, tribal or ethnic lines, and all such peoples will likely use different criteria to decide what ...
Folk festivals in Denmark (3 P) G. Danish folk music groups (3 C, 11 P) M. Danish folk musicians (1 C) S. Danish folk-song collectors (1 C, 5 P)
The American folk music revivalists of the 1930s approached folk music in different ways. [101] ... like Psalmodicon of Denmark, Sweden, and Norway. [275]
Latvian men's folk ensemble "Vilki" performing at the festival of Baltic crafts and warfare "Apuolė 854" in Apuolė Castle mound, August 2009. Balto-Finnic music is a category of music of Balto-Finnic people, that overlaps with both Nordic folk music of Nordic countries and Baltic folk music of Baltic states.
In Louisiana, Cajun and Creole music was adding influences from blues and generating some regional hit records, while Appalachian folk music was spawning jug bands, honky tonk bars and close harmony duets, which were to evolve into the pop-folk of the 1940s, bluegrass and country. The American Popular music reflects and defines American Society.