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The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
Justinus Primitive produced the Pan-inspired album Praise Pan, Great God Pan, and the songs "On Becoming Water", "Praise Pan, Great God Pan", and "Transformation Mantra". In "Joueur de flute" by Albert Roussel, one of the four movements is named after Pan. "Dryades et Pan" is the last of three Myths for violin and piano, Op. 30, by Karol ...
The Great God Pan, a Choral Ballet for solo voices, chorus and orchestra (Sheffield Festival 1920) The Song of Songs for soloists, double chorus and orchestra (started in 1912 completed 1922; text: Book of Solomon, Three Choirs Festival, Gloucester, 1922, then Dorothy Silk, Frank Mullings, Norman Allin, Hallé, composer, 10 March 1927)
A reference to another Palodes is in Plutarch's De defectu oraculorum ("Obsolescence of Oracles") [2] of which a common reading is that the Greek god Pan is dead. During the reign of Tiberius (AD 14-37), Plutarch records, the news of Pan's death came to one Thamus, a sailor on his way to Italy by way of the islands of Paxi .
A fact from The Great God Pan appeared on Wikipedia's Main Page in the Did you know column on 4 September 2018 (check views).The text of the entry was as follows: Did you know... that Arthur Machen's novella The Great God Pan has influenced such writers as H. P. Lovecraft, Peter Straub, and Stephen King?
According to Hyginus, Aegipan was the son of Zeus (some sources say his son Apollo) and Aega (also named Boetis or Aix), [1] and was transferred to the stars. [2] Others again make Aegipan the father of Pan, and state that he as well as his son were represented as half goat and half fish, similar to a satyr. [3]
Great God Who Saves garnered generally positive reception from music critics to critique the album. At CCM Magazine, David McCreary felt that the album was "As soothing as a cup of herbal tea after a hectic day, Story's debut should serve as a cathartic achievement for the artist and a rewarding gift to listeners."
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