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Amalia (1914), the first full-length movie of national production. Several Argentine artists continued to experiment with the new invention, making news shorts and documentaries. Eugenio A. Cardini filmed Escenas Callejeras (1901) and Mario Gallo made the first Argentine film with a point-of-view: El fusilamiento de Dorrego ("Dorrego's
In the first years of the 19th century, many foreign artists visited and resided in Argentina, leaving their works. Among them were English mariner Emeric Essex Vidal (1791–1861), a watercolorist who left important graphic evidence of Argentine history; French engineer Carlos E. Pellegrini (1800–1875), who was devoted to painting out of necessity and who would be the father of president ...
This page was last edited on 31 January 2025, at 05:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The National Institute of Cinema and Audiovisual Arts (Spanish: Instituto Nacional de Cine y Artes Audiovisuales, INCAA; also referred to as the Argentine National Film Board) is an agency of the Government of Argentina. It promotes the Argentine film industry by funding qualified Argentine film production companies and supporting new ...
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Visual Effects: Year Name Film Status Milestone; 2002: Pablo Helman: Star Wars: Episode II – Attack of the Clones: Nominated: 2005: War of the Worlds: Nominated
The National Endowment for the Arts (Spanish: Fondo Nacional de las Artes, abbreviated "FNA") is a cultural public organization created in Buenos Aires, Argentina, in 1958. Its purpose is to promote cultural, educational and literary activities in Argentina.
This page was last edited on 18 January 2024, at 11:48 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.