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"Bye-Bye Show" is the twenty-first and final single by the Japanese girl group Bish, released on March 22, 2023, by Avex Trax. The single sold 138,000 copies in its first week of release and topped the Oricon Singles Chart and Japan Hot 100.
Bish released a music video for the song "Bish - Hoshi ga Matataku Yoru ni" in April. [6] As the release of the album drew closer, Bish began to release more of its songs as free downloads. By 21 May, just six days before its official release date, all 13 of the album tracks were available for free. [7]
Fake Metal Jacket (stylized as FAKE METAL JACKET) is the second album by Japanese idol group Bish released through the independent label Sub Trax on January 20, 2016. The album is the first full album by the group to feature Lingling and Hashiyasume Atsuko, who joined the group on August 5, 2015.
Brand-New Idol Shit (stylized as Brand-new idol SHiT) is the debut album by Japanese idol group Bish released through the independent label Sub Trax on May 27, 2015. The album is the first physical release by the group. Songs from the album were posted for streaming on SoundCloud little by little on the group's account. By the time the album ...
Permanent link; Page information; ... It should only contain pages that are Bish songs or lists of Bish songs, ... This page was last edited on 5 July 2023, ...
"Paint It Black" (stylized as "PAiNT it BLACK") is the fourth single by the Japanese girl group Bish, released on March 28, 2018, by Avex Trax. [1] The song was used as the second opening theme song for the Black Clover anime television series. [2] The single sold 39,000 copies in its first week of release and topped the Oricon Singles Chart. [3]
No. Title Lyrics Music Length; 1. "Letters" JxSxK, Kenta Matsukuma: Kenta Matsukuma 2. "Tomorrow" JxSxK, Kenta Matsukuma: Kenta Matsukuma 3. "Super Hero Music" (スーパーヒーローミュージック)
Bish is the second album by singer/songwriter Stephen Bishop. The lead single, "Everybody Needs Love", peaked at No. 32 on the Billboard Hot 100 singles chart. [1] and number five on the U.S. Adult Contemporary chart. It did better in Canada, reaching No. 29 and peaking at number two on the Canadian Adult Contemporary chart. [2]