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Despite attempts to remove favelas from Brazil's major cities like Rio de Janeiro and São Paulo, the poor population grew at a rapid pace as well as the modern favelas that house them in the end of last century. This is a phenomenon called "favelização" ("favela growth" or "favelisation").
Cantagalo–Pavão–Pavãozinho is a neighborhood consisting of two favelas in the South Zone of Rio de Janeiro, Brazil. It is located between Ipanema and Copacabana. In 2010, it had about 9,500 inhabitants. [1] Cantagalo and Pavão–Pavãozinho formerly had high rates of violent crime, often associated with the drug trade. [2]
Rio de Janeiro (for a complete list, see the Portuguese WikiPedia article: Lista de favelas da cidade do Rio de Janeiro) Babilônia; Benjamin Constant; Cajueiro; Cantagalo–Pavão–Pavãozinho; Chácara do Céu; Chapéu Mangueira; Cidade de Deus; Complexo do Lins; Complexo da Maré; Complexo do Alemão; Santa Marta; Jacarezinho; Ladeira dos ...
Jacarezinho is a favela (Brazilian neighborhood) in Rio de Janeiro, with more than 60,300 residents living in an area of 40 hectares (99 acres). It is located in the North Zone of the city, and borders the neighborhoods of Jacaré, Méier, Engenho Novo and Triagem. It is the third-largest favela in Rio de Janeiro, behind Rocinha and Complexo do ...
In the anthology film Rio, I Love You, by Im Sang-soo, the sketch The Vampire of Rio takes place in the favela of Vidigal. The film A Frente Fria que a Chuva Traz (2015), by Neville D'Almeida, was shot in Vidigal. [10] The film Mundo Novo (2021), by Álvaro Campos, was shot in Vidigal. [11]
Favela is a sequel to The Myth of Marginality (1976) as Perlman attempts to retrace the steps she took while living among favela residents between 1968 and 1969. She relates developments in Rio de Janeiro including the loteamentos, a vast community of squatter plots on the western outskirts of the city; and the conjuntos, characterized as cement apartment complexes built by the government to ...
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An English translation by Alison Entrekin was published in 2006. The novel was filmed by Fernando Meirelles (director of The Constant Gardener and Blindness) in 2002 under the same title City of God, with most of the cast from real-life favelas and in some cases, from Cidade de Deus itself. After filming, the producers set up help groups ...