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Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The title doesn't refer to the general sense of irregular but to Time signature#Irregular meter time signatures. I think it should be changed to "unusual time signatures" or something, but it's more important to be consistent. —Keenan Pepper 16:33, 24 May 2006 (UTC) "Unusual" is fine by me.
"The time signature is a notational device representing the meter, which is an auditory feature of the music." (my italics) ... What else would meter be? Tony (talk) 05:08, 2 March 2023 (UTC) "Simple time signatures consist of two numerals, one stacked above the other:" – that belies what appears above concerning the time symbol for common time.
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples or 6 and multiples in the upper figure of the time signature, with 2 2 , 2 4, and 6 8 (at a fast tempo) being the most common examples.
8 is a compound time type of time signature). Many other time signatures exist, such as 2 2 or 3 8. Many short classical music pieces from the classical era and songs from traditional music and popular music are in one time signature for much or all of the piece.
Whereas the term prolation is used to describe the rhythmic structure on a small scale, tempus (or 'time') describes the division of the breve, which is on a larger scale. [4] As with prolation, tempus also corresponds roughly to the modern concept of time signature, and describes the relationship between the breve and semibreve. [citation needed]
4) and the direction 'Free time' written above. The word FREE is written downwards across the stave. This is mostly used when the piece changes to free time after having had a time signature. Instead of a time signature, a large X is written on the stave. Note heads alone are used, without time values (typically black note heads without stems)