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A conservation technician examining an artwork under a microscope at the Indianapolis Museum of Art. The conservation and restoration of books, manuscripts, documents, and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather.
Brighten Laundry “Add a half cup of Epsom salt to laundry to help brighten whites and colors,” Piper of BetterCleans.. Scrub Hubcaps "A sprinkle of Epsom salts can go a long way," says Veran.
He is credited with inventing the concept of album covers and cover art, replacing the plain covers used before. After his initial efforts at Columbia, other record companies followed his lead. By the late 1940s, record albums for all the major companies featured their own colorful paper covers in both 10- and 12-inch sizes.
William Stanley Harvey (November 10, 1920 – July 15, 1993) was an American graphic designer and art director, responsible for the design of Elektra Records' logos and many of its album covers between the 1950s and 1970s including those by Love, The Doors, MC5, The Stooges, Judy Collins, Tim Buckley and others.
The record brushes from RAMAR are characterized by their unique brush trim and design [8]. Six double rows of carbon fibres and two rows of goat hair ensure excellent dust absorption and dissipation electrostatic charge. Records should be cleaned in a circular motion, in the direction of the grooves.
Pen & Pixel apparently refused to produce possibly political covers. [6] [7] In 2020, Pen & Pixel came out of retirement to design the cover art for 21 Savage and Metro Boomin's Savage Mode II. [8] The artwork is in their signature design, "heavily" inspired by those of Cash Money and No Limit and is a nod to the "bling rap" album covers of the ...
Steinweiss later went on to develop what is now known as a record jacket. [4] The first illustrated album cover for 78 rpm records was created by Alex Steinweiss in 1938, while he also developed the paperboard container for 33 1/3 LPs in 1953, which went on to become the industry norm for packaging for more than three decades. [8]
23 Envelope was the name given to the graphic design partnership of graphic designer Vaughan Oliver and photographer/filmmaker Nigel Grierson from 1980–1988. During this time, they created a distinct visual identity for the British independent music label 4AD through their record sleeve designs for bands such as Cocteau Twins, Dead Can Dance, and This Mortal Coil.