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Naʽat (Bengali: নাত and Urdu: نعت) is poetry in praise of the Islamic prophet, Muhammad.The practice is popular in South Asia (Bangladesh, Pakistan and India), commonly in Bengali, Punjabi, or Urdu.
Tala al-Badru Alayna (Arabic: طلع البدر علينا, romanized: Ṭalaʿ al-Badru ʿAlaynā) is a traditional Islamic nasheed that the Ansar Muslims of Medina sang for the Islamic prophet Muhammad upon his arrival at Medina. Many sources claim it was first sung as he sought refuge there after being forced to leave his hometown of Mecca ...
Among the famous naʽats included in it are Qasida-e-Noor, Qasida-e Meraziya, Mustafa Jaane Rahmat Pe Lakho Salam, Sabse Awla O Ala Hamara Nabi, Lam Yati Naziru Kafi Nazareen etc. Naats of Hadaiq e Bakhshish have been translated into many languages as well as English, Arabic, Persian and Bengali. Many explanations have been written about this poem.
"Lab Pe Aati Hai Dua" (Urdu: لب پہ آتی ہے دعا; also known as "Bachche Ki Dua"), is a duʿā or prayer, in Urdu verse authored by Muhammad Iqbal in 1902. [1] The dua is recited in morning school assemblies almost universally in Pakistan, [2] [3] and in Urdu-medium schools in India.
A nasheed (Arabic: نَشِيد, romanized: nashīd, lit. 'chant', pl. أَنَاشِيد, anāshīd) is a work of vocal music, partially coincident with hymns, that is either sung a cappella or with instruments, according to a particular style or tradition within Sunni Islam. Nasheeds are popular throughout the Islamic world.
Shab-e-Barat (lit. ' Barat Night ') or Nisfu Syaaban (Southeastern Asian Muslims) is a Mid-Sha'ban related religious celebration celebrated in many South Asian, Central Asian, South East Asian and Middle Eastern Muslim countries, on the 15th night (the night on 15th only) of the month of Sha'ban, the eighth month of the Islamic calendar.
A few years after his birth, his family migrated to Herat, where he was able to study Peripateticism, mathematics, Persian literature, natural sciences, Arabic language, logic, rhetoric, and Islamic philosophy at the Nizamiyyah University. [8] His father, also a Sufi, became his first teacher and mentor. [9]
The traditional convention in identifying Urdu poets is to mention the takhallus at the end of the name. The word takhallus [5] is derived from Arabic, meaning "ending". This is because in the Ghazal form, the poet would usually incorporate his or her pen name into the final couplet (Arabic: مقطع, romanized: maqta') of each poem.
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