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The genre of Menippean satire is a form of satire, usually in prose, that is characterized by attacking mental attitudes rather than specific individuals or entities. [1] It has been broadly described as a mixture of allegory , picaresque narrative, and satirical commentary. [ 2 ]
Decimus Junius Juvenalis (Latin: [ˈdɛkɪmʊs ˈjuːniʊs jʊwɛˈnaːlɪs]), known in English as Juvenal (/ ˈ dʒ uː v ən əl / JOO-vən-əl; c. 55–128), was a Roman poet.He is the author of the collection of satirical poems known as the Satires.
The controversies concerning the surviving texts of the Satires have been extensive and heated. Many manuscripts survive, but only P (the Codex Pithoeanus Montepessulanus), a 9th-century manuscript based on an edition prepared in the 4th century by a pupil of Servius Honoratus, the grammarian, is reasonably reliable.
Quis custodiet ipsos custodes? is a Latin phrase found in the Satires (Satire VI, lines 347–348), a work of the 1st–2nd century Roman poet Juvenal.It may be translated as "Who will guard the guards themselves?" or "Who will watch the watchmen?
Little is known about the life of Menippus. He was of Phoenician descent, [1] [2] from the Greek city of Gadara [3] in Coele-Syria. [4] [5] He was originally a slave, [6] in the service of a citizen of Pontus, but in some way obtained his freedom and relocated to Thebes.
The Satire Ménippée (French pronunciation: [satiʁ menipe]) or La Satyre Ménippée de la vertu du Catholicon d'Espagne was a political and satirical work in prose and verse that mercilessly parodied the Catholic League and Spanish pretensions during the Wars of Religion in France, and championed the idea of an independent but Catholic France.
Satires (Horace) The Satires (Latin: Saturae or Sermones) is a collection of satirical poems written in Latin dactylic hexameters by the Roman poet Horace.Published probably in 35 BC and at the latest, by 33 BC, [1] [2] the first book of Satires represents Horace's first published work.
Book 1 consists of 38 poems. The opening sequence of nine poems are all in a different metre, with a tenth metre appearing in 1.11. It has been suggested that poems 1.12–1.18 form a second parade, this time of allusions to or imitations of a variety of Greek lyric poets: Pindar in 1.12, Sappho in 1.13, Alcaeus in 1.14, Bacchylides in 1.15, Stesichorus in 1.16, Anacreon in 1.17, and Alcaeus ...