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Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
The Peacock Room, designed in the Anglo-Japanese style by James Abbott McNeill Whistler and Edward Godwin, one of the most famous and comprehensive examples of Aesthetic interior design Aestheticism (also known as the aesthetic movement ) was an art movement in the late 19th century that valued the appearance of literature , music , fonts and ...
Adopting Schiller's idea of a connexion between aesthetic activity and play, he seeks to make it the starting-point in tracing the evolution of aesthetic activity. Play is defined as the outcome of the superfluous energies of the organism: as the activity of organs and faculties which, owing to a prolonged period of inactivity, have become ...
The argument from beauty (also the aesthetic argument) is an argument for the existence of a realm of immaterial ideas or, most commonly, for the existence of God, that roughly states that the evident beauty in nature, art and music and even in more abstract areas like the elegance of the laws of physics or the elegant laws of mathematics is evidence of a creator deity who has arranged these ...
Santayana objects to the role of God in aesthetics in the metaphysical sense, but accepts the use of God as metaphor. [1] His argument that beauty is a human experience, based on the senses, is influential in the field of aesthetics. [4] However, Santayana would reject this approach, which he called "skirt[ing] psychologism," later on in life. [1]
Baumgarten developed aesthetics to mean the study of good and bad "taste", thus good and bad art, linking good taste with beauty. By trying to develop an idea of good and bad taste, he also in turn generated philosophical debate around this new meaning of aesthetics.
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
The historian Emilio Gentile has stressed that these two ideas are not mutually exclusive, and have a large degree of the other. In Benjamin's original formulation, the politicization of aesthetics was considered the opposite of the aestheticization of politics, the latter possibly being indicated as an instrument of "mythologizing ...