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Jacobean embroidery refers to embroidery styles that flourished in the reign of King James I of England in first quarter of the 17th century. The term is usually used today to describe a form of crewel embroidery used for furnishing characterized by fanciful plant and animal shapes worked in a variety of stitches with two-ply wool yarn on linen .
Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern. Traditionally, Bargello was stitched in wool on canvas. Embroidery done this way is ...
Outer clothing and furnishings of woven silk brocades and velvets were ornamented with gold and silver embroidery in linear or scrolling patterns, applied bobbin lace and passementerie, and small jewels. [27] [29] [30] Margaret Laton's embroidered jacket is typical of the early 17th century style. This jacket has survived and is in the Victoria ...
Stumpwork picture worked in silk and metal thread on silk, with pearls and beads, 17th century. An anatomical embroidery of the lungs using stumpwork to give depth Stumpwork or raised work is a style of embroidery in which the stitched figures are raised from the surface of the work to form a 3-dimensional effect.
[14]: 77 Landscape patterns with figures were more realistic in the 18th century than they were in the 17th century, and seldom involved scenes from the Bible, as had earlier patterns. [15]: 26 Many of the New England embroidery designs in the 1700s included rounded and curving elements. [14]: 78
Reticella (also reticello or in French point coupé or point couppe) is a needle lace dating from the 15th century and remaining popular into the first quarter of the 17th century. Reticella was originally a form of cutwork in which threads were pulled from linen fabric to make a "grid" on which the pattern was stitched, primarily using ...
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