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El Velorio (Spanish for "The Wake") is an 1893 8-by-13-foot painting by Puerto Rican Impressionist painter Francisco Oller depicting a baquiné, a type of traditional wake. This painting is considered one of the most important pieces in the art history of Puerto Rico and is therefore considered a national treasure.
San Juan Nepomuceno Santo statuette by Felipe de la Espada, born in San Germán, Puerto Rico ca. 1754. When the Spanish first arrived in Puerto Rico, one of their primary tools in converting the indigenous Taíno population were statuettes, known as Santos, depicting the Virgin Mary, Jesus Christ, and other Catholic icons (the practice of religious sculpture already existed on the island ...
Capilla del Cristo (Chapel of Christ), also called Capilla del Santo Cristo de la Salud is a small chapel / museum located in the Old San Juan, Puerto Rico. [3] Built in the 18th century and saved from demolition in the 20th century and preserved, the structure has become a cultural icon of Puerto Rico. Most of the articles located at its altar ...
Galería Nacional (National Gallery) located in Old San Juan within the historic colonial section of the capital of Puerto Rico, houses the largest collection of Puerto Rican paintings from the eighteenth century to the 1960s.
José Campeche, early Puerto Rican painter; although he also did portraits, his religious work is the most abundant of his known production [98] Bernardino Campi, works include Immaculée Conception [99] [100] Robert Campin, like many Early Netherlandish painters, he did much religious art [101] [102]
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
José Campeche y Jordán [note 1] (December 23, 1751 – November 7, 1809), is the first known Puerto Rican visual artist and considered by art critics as one of the best rococo artists in the Americas. Campeche y Jordán loved to use colors that referenced the landscape of Puerto Rico, as well as the social and political crème de la crème.
Our Lady of Bethlehem (Spanish: la Virgen de Belén) is a Flemish-style oil painting that arrived in Puerto Rico. Specialists in 15th-century art attribute the painting to the school of Brussels painter, Rogier van der Weyden , or to an anonymous disciple of his school.