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Epic poems in French (1 C, 26 P) H. Poetry by Michel Houellebecq (2 P) French humorous poems (1 C, 1 P) M. Poetry by Stéphane Mallarm ...
Cligès (also Cligés) is a poem by the medieval French poet Chrétien de Troyes, dating from around 1176. It is the second of his five Arthurian romances; Erec and Enide, Cligès, Yvain, Lancelot and Perceval. The poem tells the story of the knight Cligès and his love for his uncle's wife, Fenice.
Guillaume de Dole (also known as (Le) Roman(s) de la Rose, or Guillaume de Dole) is an Old French narrative romance by Jean Renart.Composed in the early 13th century, the poem is 5,656 lines long and is especially notable for the large number of chansons it contains, and for its active female protagonist.
Pages in category "Epic poems in French" The following 26 pages are in this category, out of 26 total. ... Romance of Muhammad; S. Siège d'Antioche; Song of Roland; Y.
Pages in category "Poems in French" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. B. Ballade à la grosse Margot;
The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables [see "musique ...
Originally published in 1852 with 18 poems, Émaux et camées, the final edition (1872) contains 48 poems. Whereas Gautier's earlier work was more concerned with romantic aestheticism , the formalism of this last collection is a point of reference for the arrival of Parnassianism .
Each of Giraud's poems is a rondel, a form he admired in the work of the Parnassians, especially of Théodore de Banville. [6] ( It is a "bergamask" rondel, not only because the jagged progress of the poems recalls the eponymous rustic dance, but also because 19th-century admirers of the Commedia dell'Arte characters [or "masks"] often associated them with the Italian town of Bergamo, [7] from ...
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