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This dance form is much appreciated and has the ability to engage large audiences. It is accompanied by instruments like rabab, sarangi, and drums. [2] It involves quick spinning movements just like in the Hafiza dance form and some may even resemble those of kathak. The song-dance proceeding is known as Bach Nagma Jashan - Kid Dancer's ...
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics.
Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is not a requirement.
Bhangra (Punjabi: ਭੰਗੜਾ) is a type of traditional folk dance of Punjab area of the Indian subcontinent. [1] According to Manuel (2001), bhangra is especially associated with the vernal Vaisakhi festival, performed during harvest season between April and the first quarter of May.
A pair of ghungroos Kathak dancer Namrata Rai performing with 400 Ghungroos. A ghungroo (Hindi: घुँघरू, Urdu: گھنگرو), also known as ghunghroo or ghunghru or ghungur (in Assamese and Bengali) or ghungura (in Odia) or Chilanka or Salangai or Gejje (in Malayalam, Tamil and Kannada respectively), is one of many small metallic bells strung together to form ghungroos, a musical ...
They contributed significantly to the continuation of traditional dance and music forms. [6] The tawaifs excelled in and contributed to music, dance , theatre, and the Urdu literary tradition, [7] and were considered an authority on etiquette. Indian writer and scholar Pran Nevile said: “The word ‘tawaif’ deserves respect, not disdain. A ...
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". [1] Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj.