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Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Sonido 13 is a theory of microtonal music created by the Mexican composer Julián Carrillo around 1900 [1] and described by Nicolas Slonimsky as "the field of sounds smaller than the twelve semitones of the tempered scale." [2] Carrillo developed this theory in 1895 [3] while he was experimenting with his violin.
In music theory, an interval is a difference in pitch between two sounds. [1] An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord.
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments.He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison.
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres. [ 1 ] Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz ’s use of col legno in his Symphonie Fantastique is ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Equal temperament by definition is such that A ♭ and G ♯ are at the same level. 1 ⁄ 4-comma meantone produces the "just" major third (5:4, 386 cents, a syntonic comma lower than the Pythagorean one of 408 cents). 1 ⁄ 3-comma meantone produces the "just" minor third (6:5, 316 cents, a syntonic comma higher than the Pythagorean one of 294 ...
The grand old man of Mexican music, Julián Carrillo, has spent his life peering into an unsuspected microtonic world of sound. He has shattered and then remade our chromatic scale, and we might be tempted to call him the atom-splitter of music, except that the name gives no idea of the rich emotional world he has opened. ...