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When a group of notes is slurred together, the player is expected to tongue the first note of the group and not tongue any of the other notes, unless those notes have accent marks. Trombone players must lightly tongue many slurs by tonguing "da"; otherwise, the result would be a glissando. The bagpipes require finger articulations ("graces ...
The Superbone can be played as a slide trombone, a valve trombone, or in combination. Using the slide and valves in combination requires the slide positions to be adjusted, just as when using the trigger of an F attachment on a tenor or bass trombone. Using the slide with the first and third valves engaged has the same effect as using an F ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A double buzz results from an uneven balance of pressure between the upper and lower lips. Tilting the horn either up or down will balance the pressure. Others suggest focusing on producing a clear tone on the mouthpiece only. It can be helpful to experiment with the double buzz and learn to produce it on demand.
Here the back of the tongue is used to create a vacuum in the mouth, causing air to rush in when the forward occlusion (tongue or lips) is released. Clicks may be oral or nasal, stop or affricate, central or lateral, voiced or voiceless. They are extremely rare in normal words outside Southern Africa. However, English has a click in its "tsk ...
Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sounds on a recorder to an effect similar to the growls used by jazz musicians.
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On trombone, pedal B ♭ 1 is frequently seen in commercial scoring but much less often in symphonic music. Notes below B ♭ are called for only rarely as they "become increasingly difficult to produce and insecure in quality" with A ♭ 1 or G1 being the bottom limit for most trombonists.