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"What Makes a Man" is a song by Irish boy band Westlife. It was released on 18 December 2000 in the UK and Ireland as the third single from their second studio album, Coast to Coast . The song peaked at number two on the UK Singles Chart and was their first single not to peak at number one, being beaten to the Christmas number-one spot by " Can ...
"Child Is Father of the Man" is a song by American rock band the Beach Boys that was written by Brian Wilson and Van Dyke Parks. It was originally recorded for the band's never-finished album Smile. In 2004, Wilson rerecorded the song for Brian Wilson Presents Smile. In 2011, the Beach Boys' original recording was released on The Smile Sessions.
"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's "I'm a Man", [1] which was in turn inspired by Waters' and Willie Dixon's "Hoo
Three versions of the music video exist. The original, which uses the standard album/single version of the song features Daryl miming the song & John playing guitar in a room full of young children who are playing rambunctiously. The guitar solo features G.E. Smith performing while a group of young girls in sleep attire surround him to watch ...
Child (and most later scholars) believed that the Scottish ballad must have existed prior to the broadsides and that the broadside scriveners borrowed from the Scottish ballad. As evidence, Child indicated that the broadsides are merely "goodnights", while the Scottish texts are full narratives, with a beginning, middle and end.
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In addition, Mushu has a speaking line unlike the other characters in the song. "I'll Make a Man Out of You" was written to replace the song "We'll Make a Man of You" after the film's original songwriter Stephen Schwartz departed from the project in favor of working on DreamWorks' The Prince of Egypt (1998). Wilder and Zippel were inspired to ...
During the song, Clopin tells a group of young children about the mysterious bell-ringer of Notre Dame Cathedral, described as "a tale of a man, and a monster." Twenty years earlier, a group of gypsies attempted to ferry their way into Paris and travel to the Court of Miracles (where the gypsies live), but were ambushed by Frollo and several ...