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Combined, the studio was able to supply theater owners with enough color short subjects practically on a weekly or bi-weekly basis by the end of the thirties. In fact, only one or two feature films needed to be shot annually in color during the years 1940–47 since there was more than enough presented as "extras" before the main feature ...
The introduction of Kodachrome color reversal film for 16 mm in 1935, and for 8 mm in 1936, facilitated home color cinematography. The availability of reversal film, both black-and-white and Kodachrome, was very important to the economics of home movie-making because it avoided the expense of separate negatives and positive prints.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
In the 1990s, Cinemark Theatres was one of the first chains to incorporate stadium-style seating into their theatres. [24] In 1997, several disabled individuals filed a lawsuit against Cinemark, alleging that their stadium style seats forced patrons who used wheelchairs to sit in the front row of the theatre, effectively rendering them unable to see the screen without assuming a horizontal ...
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [2] (Color Systems Technology) [3] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [6] Across the Pacific: 1942: 1987: Turner Entertainment [7] Action in ...
A fashion designer looks to her hometown's holiday festivities for inspiration for a Christmas-themed designed competition.
Agfacolor was a series of color film products made by Agfa of Germany. The first Agfacolor, introduced in 1932, was a film-based version of their Agfa-Farbenplatte (Agfa color plate), [1] a "screen plate" product similar to the French Autochrome.
Weeks later, plans were revealed for the theater, designed in Art Deco style by Detroit-based movie palace architect C. Howard Crane. [6] The State was designed as a movie theater, with a small stage and no dressing rooms. The Butterfield circuit continued to use the nearby Michigan for live shows, with both theaters showing first-run movies. [2]