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Other medium-format SLRs also using leaf shutters include the now discontinued Zenza-Bronica camera system lines such as the Bronica ETRs, the ETRs'i (both producing a 6 × 4.5 cm. image), the SQ and the SQ-AI (producing a 6 × 6 cm image like the Hasselblad), and the Zenza-Bronica G system (6 × 7 cm).
The Sony Mavica (a magnetic still video camera) used a color-striped 2/3” format CCD sensor with 280K pixels, along with analog video signal processing and recording. [6] The Mavica electronic still camera employed a TTL single-lens reflex viewfinder, as shown in the graphic from a June 1982 Sony press release.
Though most used medium format film, a few 35 mm TLRs were made, the very expensive Contaflex TLR [14] being the most elaborate, with interchangeable lenses and removable backs. The LOMO Lubitel 166+, a natively medium format camera, comes with an adapter for 35 mm film. As do most Rolleiflex models with their respective Rolleikin 35mm adapter.
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
If the lens mounts are compatible, many lenses, including manual-focus models, designed for 35 mm cameras can be mounted on DSLR cameras. When a lens designed for a full-frame camera, whether film or digital, is mounted on a DSLR with a smaller sensor size, only the center of the lenses image circle is captured. The edges are cropped off, which ...
The camera was a waist type with an M40x1 screw mount and a horizontal cloth focal shutter. This camera is the pattern for most of the 35 mm SLR cameras and also for the Japanese and the digital SLR cameras today. After the war, Praktiflex was the most manufactured 35 mm SLR in Dresden, especially for the Russians as reparations.
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.