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A man recording a voice-over. Voice-over (also known as off-camera or off-stage commentary) is a production technique used in radio, television, filmmaking, theatre, and other media in which a descriptive or expository voice that is not part of the narrative (i.e., non-diegetic) accompanies the pictured or on-site presentation of events. [1]
According to the law, films intended for theatrical release must either be dubbed or subtitled. All television channels are required to broadcast movies and TV shows with dubbed audio. In the past, voice-over was commonly used, but in the last decade, channels have improved the quality by adopting full dubbing.
Voice-over translation is an audiovisual translation [1] technique in which, unlike in dubbing, actor voices are recorded over the original audio track which can be heard in the background. This method of translation is most often used in documentaries and news reports to translate words of foreign-language interviewees in countries where ...
Dub localization is the practice of voice-over translation, in which voice actors alter a foreign-language film or television series. Voice-over translation is an audiovisual translation [ 6 ] technique, in which, unlike in Dub localization, actor voices are recorded over the original audio track, which can be heard in the background.
Voice over involves the original soundtrack and the translation being broadcast simultaneously. [7] At the beginning, only the original can be heard, but the volume is lowered while the translated version becomes more noticeable until the end. [8]
SOT is an acronym for the phrase sound on tape.It refers to any audio recorded on analog or digital video formats. It is used in scriptwriting for television productions and filmmaking to indicate the portions of the production that will use room tone or other audio from the time of recording, as opposed to audio recorded later (studio voice-over, Foley, etc.).
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
In filmmaking, audio post-production is the creation and manipulation of audio that is synchronized with a moving picture. This includes, but is often distinguished from production audio, which is the audio recorded as filming occurs. Most other aspects of audio for moving pictures occur during the post-production phase, everything is done ...