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Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Zaman Sher Khan or Puttan Khan (4 January 1952 – 20 October 2024), better known by the pen name Fahmi Badayuni, [1] was an Indian poet known for his contributions to Urdu literature. [2] [3] Fahmi's poetry often revolved around themes of love, beauty, and human emotions, expressed in an eloquent yet simple style. His ghazals are remembered ...
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Halqa-e Arbab-e Zauq (Urdu: حلقہ ارباب ذوق, lit. 'Circle of the Men of Good Taste') is a Pakistani literary movement begun in Lahore, British Punjab, India on 29 April 1939. [1] Early members included Urdu language poets Noon Meem Rashid, Qayyum Nazar, and Meeraji, the latter of whom was invited by Nazar.
Mar et al., in a study of 94 participants, identified that the primary mode of literature that increases empathy is fiction, as opposed to non-fiction. [5] Other studies verify these results and go on to specify that active fiction in particular engages with the reader and affects the reader’s empathy, at the very least in adults, rather than passive, entertainment fiction. [6]
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