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Verism. Portrait bust of a man, Ancient Rome, 60 BC. Verism was a realistic style in Roman art. It principally occurred in portraiture of politicians, whose imperfections of the face were exacerbated in order to highlight their old age and gravitas. The word comes from Latin verus (true).
An example of a tadpole person in a drawing by a child aged 4½. A tadpole person[ 1][ 2][ 3] or headfooter[ 4][ 5] is a simplistic representation of a human being as a figure without a torso, with arms and legs attached to the head. Tadpole people appear in young children's drawings before they learn to draw torsos and move on to more ...
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict ...
Realism (art movement) Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [ 1] Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic ...
Artbreeder. Artbreeder, formerly known as Ganbreeder, [ 4] is a collaborative, machine learning -based art website. Using the models StyleGAN and BigGAN, [ 4][ 5] the website allows users to generate and modify images of faces, landscapes, and paintings, among other categories. [ 6]
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Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph. Hyperrealism is considered an advancement of photorealism by the methods used to create the resulting paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has developed ...
Rubin vase. A version of Rubin's vase. Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin. [ 1]