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  2. Professional video camera - Wikipedia

    en.wikipedia.org/wiki/Professional_video_camera

    Nowadays, HDTV cameras designed for broadcast television, news, sports, events and other works such as reality TV are termed as professional video cameras. A digital movie camera is designed for movies or scripted television to record files that are then color corrected during post-production .

  3. Multiple-camera setup - Wikipedia

    en.wikipedia.org/wiki/Multiple-camera_setup

    The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.

  4. Broadcast journalism - Wikipedia

    en.wikipedia.org/wiki/Broadcast_journalism

    Broadcast articles can be written as "packages", "readers", "voice-overs" (VO) and "sound on tape" (SOT). A "sack" is an edited set of video clips for a news story and is common on television. It is typically narrated by a reporter. It is a story with audio, video, graphics and video effects.

  5. Broadcast vs. cable vs. streaming: The future of television ...

    www.aol.com/broadcast-vs-cable-vs-streaming...

    Broadcast networks are bleeding viewership totals. To trim their budgets, they are making fewer pilots and filling their prime-time slots with game shows and reality competitions. The outlook is ...

  6. List of broadcast video formats - Wikipedia

    en.wikipedia.org/wiki/List_of_broadcast_video...

    Below is a list of broadcast video formats. 24p is a progressive scan format and is now widely adopted by those planning on transferring a video signal to film. Film and video makers use 24p even if they are not going to transfer their productions to film, simply because of the on-screen "look" of the (low) frame rate, which matches native film.

  7. Camera control unit - Wikipedia

    en.wikipedia.org/wiki/Camera_control_unit

    Broadcast cameras typically carry several signals over the camera cable in addition to the camera output itself. Typically, RGB signals are transmitted over the camera cable. The CCU will usually convert these to SDI, YUV or composite for interfacing to other video equipment - typically it will be connected to a vision mixer via a video router.

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