Search results
Results from the WOW.Com Content Network
Usual (descending) Melodic minor scale (ascending) Melodic minor scale ascending on A. Play ...
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
B-flat minor is traditionally a 'dark' key. [ 1 ] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer 's Concertino in D major , Op. 80.
The diatonic scale (seven notes)—this includes the major scale and the natural minor; The melodic and harmonic minor scales (seven notes) These scales are used in all of their transpositions. The music of this period introduces modulation, which involves systematic changes from one scale to another. Modulation occurs in relatively ...
The Aeolian mode is identical with the natural minor scale. Thus, it is ubiquitous in minor-key music. The following is a list of some examples that are distinguishable from ordinary minor tonality, which also uses the melodic minor scale and the harmonic minor scale as required. Traditional – "God Rest You Merry, Gentlemen"
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [ citation needed ] , although it may be found in other types of music as well.
It is also present in the natural minor scale as the interval formed between the second and sixth scale degrees (for example, from D to A ♭ in the key of C minor). The melodic minor scale, having two forms, presents a tritone in different locations when ascending and descending (when the scale ascends, the tritone appears between the third ...
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode.