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Sampling is one of the foundations of hip hop, which emerged in the 1980s. [34] Hip hop sampling has been likened to the origins of blues and rock, which were created by repurposing existing music. [24] The Guardian journalist David McNamee wrote that "two record decks and your dad's old funk collection was once the working-class black answer ...
Sampling is one of the biggest aspects of hip hop and rap, and these types of records provide breaks for artists to use in their songs. [15] Examples of rare groove samples, such as Eazy-E's "Eazy Duz It" [16] (which samples the Detroit Emeralds, Bootsy Collins, Funkadelic, Isley Brothers, Sly and the Family Stone, the Temptations and even Richard Pryor), can be found in modern hip hop ...
The Warner/Reprise Loss Leaders were a series of promotional sampler compilation albums released by Warner Bros. Records throughout the 1970s. Each album (usually a 2-record set) contained a wide variety of tracks by artists under contract to Warner Bros. and its subsidiary labels (primarily Reprise Records); often these were singles, B-sides, non-hit album tracks, or otherwise obscure ...
The first commercially available sampling synthesizer was the Computer Music Melodian by Harry Mendell (1976), while the first polyphonic digital sampling synthesizer was the Australian-produced Fairlight CMI, first available in 1979. These early sampling synthesizers used wavetable sample-based synthesis. [8]
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Several other sampling rates were also used in early digital audio. A 50 kHz sample rate, used by Soundstream in the 1970s, following a 37 kHz prototype. In the early 1980s, a 32 kHz sampling rate was used in broadcast (esp. in UK and Japan), because this is sufficient for FM stereo broadcasts, which have 15
Sampledelia (also called sampledelica) [1] is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. [2] Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching.
US Billboard 1970 #1, Hot100 #1 for 6 weeks, 14 total weeks, Grammy Hall of Fame 1998, National Recording Registry 2012, 264 points 2: B. J. Thomas "Raindrops Keep Fallin' on My Head" Scepter 12265: June 1969: October 1969: 6: 3.00: US Billboard 1970 #2, Hot100 #1 for 4 weeks, 22 total weeks, Grammy Hall of Fame 2014 (CashBox ranking is 1969 ...
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