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The two-metre-wide (6 ft 7 in) Yellow – red – blue (1925) of several main forms: a vertical yellow rectangle, an inclined red cross and a large dark blue circle; a multitude of straight (or sinuous) black lines, circular arcs, monochromatic circles and scattered, coloured checker-boards contribute to its delicate complexity. This simple ...
1925 Bright Unity: Solomon R. Guggenheim Museum, New York 69.9 x 49.9 Oil on board 1925 Pointed and Round: Solomon R. Guggenheim Museum, New York 69.8 x 50 Oil on board 1925 Three Elements: Strasbourg Museum of Modern and Contemporary Art 68 x 48 Oil paint on card board 1925 Swinging: Tate Modern, London 70.5 x 50.2 Oil on board 1925 Yellow-Red ...
Wassily Kandinsky: Year: 1925: Catalogue: 295: Medium: oil painting on cardboard: Movement: Abstract art: Subject: a red square, a yellow triangle and a blue circle among coulours and shapes: Dimensions: 68 cm × 48 cm (27 in × 19 in); also given as 69.5 × 49.5 cm (27.4 × 19.5 in) [1] [2] Location: Musée d'Art moderne et contemporain ...
Wassily Kandinsky, cover of Der Blaue Reiter almanac, c. 1912. Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912).
In 1923, he became a member of the Australian Painter-Etcher's Society and was in its Council at 1923–1925. In 1923, he was also one of the founders of the Australian Ex Libris Society. [ 189 ] For several years Warner successfully collaborated with Leadbeater, illustrating his books, in particular, The Science of the Sacraments . [ 190 ]
Created in 1909, the work was first published in The Blue Rider Almanac in 1912. [1] The Yellow Sound was the "earliest and most influential" [2] of four "color-tone dramas" that Kandinsky conceived for the theater between 1909 and 1914; the others were titled The Green Sound, Black and White, and Violet. [3]
The name of the movement comes from a painting by Kandinsky created in 1903. It is also claimed that the name could have derived from Marc's enthusiasm for horses and Kandinsky's love of the colour blue. For Kandinsky, blue is the colour of spirituality: the darker the blue, the more it awakens human desire for the eternal. [13]
Klänge, Wassily Kandinsky, 1912. Klänge (German; Sounds) is a book by the Russian expressionist artist Wassily Kandinsky.Published in an edition of 345 in Munich in late 1912, [1] [2] the work is a famous early example of an artist's book, containing both poems and woodcuts by the artist, forming two parallel strands, each involving a loose progression. [3]