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1925 Bright Unity: Solomon R. Guggenheim Museum, New York 69.9 x 49.9 Oil on board 1925 Pointed and Round: Solomon R. Guggenheim Museum, New York 69.8 x 50 Oil on board 1925 Three Elements: Strasbourg Museum of Modern and Contemporary Art 68 x 48 Oil paint on card board 1925 Swinging: Tate Modern, London 70.5 x 50.2 Oil on board 1925 Yellow-Red ...
This period was intensely productive. This freedom is characterised in his works by the treatment of planes rich in colours and gradations—as in Yellow – red – blue (1925), where Kandinsky illustrates his distance from the constructivism and suprematism movements influential at the time. House of Paul Klee and Wassily Kandinsky in Dessau
Wassily Kandinsky: Year: 1925: Catalogue: 295: Medium: oil painting on cardboard: Movement: Abstract art: Subject: a red square, a yellow triangle and a blue circle among coulours and shapes: Dimensions: 68 cm × 48 cm (27 in × 19 in); also given as 69.5 × 49.5 cm (27.4 × 19.5 in) [1] [2] Location: Musée d'Art moderne et contemporain ...
Created in 1909, the work was first published in The Blue Rider Almanac in 1912. [1] The Yellow Sound was the "earliest and most influential" [2] of four "color-tone dramas" that Kandinsky conceived for the theater between 1909 and 1914; the others were titled The Green Sound, Black and White, and Violet. [3]
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which he called "Yellow Dog Rag." [3] "Yellow Dog Rag" sold poorly. In 1919, he retitled it "Yellow Dog Blues" to take advantage of the popularity of blues, after which it sold moderately well. [4] His song explains what became of Jockey Lee. The version quoted is how Bessie Smith sang it in her well-known 1925 recording: First verse:
In 1923, he became a member of the Australian Painter-Etcher's Society and was in its Council at 1923–1925. In 1923, he was also one of the founders of the Australian Ex Libris Society. [ 189 ] For several years Warner successfully collaborated with Leadbeater, illustrating his books, in particular, The Science of the Sacraments . [ 190 ]
Wassily Kandinsky, cover of Der Blaue Reiter almanac, c. 1912. Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912).