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Stoke Edith Wall Hanging, 1710-1720 V&A Museum no. T.568-1996. The Stoke Edith Wall Hanging is an embroidered wall hanging made in 1710–20, depicting elegant people walking in an early 18th-century garden.
Tush kyiz.. Tush kyiz (Kyrgyz: туш кийиз [tuʃ kijíz], туш — side, the edge, кийиз — felt; Kazakh: тұс киіз) are large, elaborately embroidered wall hangings, traditionally made in Kyrgyzstan and Kazakhstan by women to commemorate the marriage of a son or daughter. [1]
In 1973 Hanna Lemberg made an embroidered wall-hanging (or tapestry) titled The Sanctuary depicting their home on a large native bush land plot. [7] The Lembergs gave part of their property to the Religious Society of Friends (Quakers) where a meeting house was built, meetings held, and Rudi taught young friends about evolution and the spirit.
The embroidered panels have been made into a wall hanging, two bed curtains, and a valance. This was probably not the original arrangement of the needlework, and seems likely to be an arrangement sewn together in the late 17th century. [3] There is also another group of 33 embroideries which are the remains of another hanging. [3]
This large, mid-19th century Moroccan wall hanging, or haiti, is a highlight of the textile collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Made in the cultural center of Fez , it is crafted of the finest materials: silk velvet embroidered with gold metallic thread.
Tapestries and hangings were carefully repaired in 1594 for the baptism of Prince Henry at Stirling Castle. [41] After the Union of the Crowns , King James inherited the tapestries belonging to the English crown, and bought new tapestries from merchants and manufacturers, including Francis Spiring, or Spierincx of Delft (1550-1630) who supplied ...
The most famous frieze hanging is the Bayeux Tapestry, actually an embroidery, which is 68.38 metres long and 0.5 metres wide (224.3 ft × 1.6 ft) and would have been even longer originally. This was made in England, probably in the 1070s, and the narrative of the Norman Conquest of England in 1066 is very clear, explained by tituli in Latin .
The full tapestry is 48 cm wide and 230 cm long. [11] The centaur fragment is 45 cm by 55 cm, warrior's face fragment is 48 cm by 52 cm. [12] The recovered tapestry only constitutes the left decorative border of what would be a much bigger wall hanging. [12] Made of wool, [13] it comprises 24 threads of various colours.
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