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A painting by the 15th-century master Sandro Botticelli, recorded as missing since the 1980s, has been found at a home in southern Italy.. The depiction of the Virgin Mary and infant Christ was ...
Detail from Botticelli's most famous work, [4] The Birth of Venus (c. 1484–1486) Alessandro di Mariano di Vanni Filipepi (c. 1445 [1] – May 17, 1510), better known as Sandro Botticelli (/ ˌ b ɒ t ɪ ˈ tʃ ɛ l i / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance.
The following is a list of panel paintings, works on canvas and frescoes by the Italian painter Sandro Botticelli. [1] His drawings, such as those of the Divine Comedy, are excluded. It is not indicated if some works might be executed with more or less participation by his workshop.
Engraving by Baldini after Botticelli, from the 1481 book. The drawings in the manuscript were not the first to be created by Botticelli for the Divine Comedy.He also illustrated another Commedia, this time a printed edition with engravings as illustrations, that was published by Nicholo di Lorenzo della Magna in Florence in 1481, and is mentioned by Vasari.
The Portrait of a Young Man Holding a Roundel (also known as Portrait of a Young Man holding a Trecento Medallion [1]) is a painting attributed to the Italian Renaissance master Sandro Botticelli. On the basis of its style it has been estimated to have been painted around 1480. [2]
The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of the Uffizi, Florence, Italy. This is one of the earliest works of Botticelli where he painted a portrait of the Virgin Mary with Jesus Christ as a child, sitting in a ...
The appearance at an auction in 1982, from the Thomas Merton collection, of a rarely seen painting by Botticelli of a Portrait of a Young Man Holding a Roundel identified (with no real evidence) as Giovanni il Popolano in a similar pose, holding up a round medallion cut from a much older painting (albeit of a bearded saint, not Cosimo), has led ...
The attribution to Botticelli's work was later confirmed by other experts, including Miklos Boskovits and Yukio Yashiro. [ 3 ] Nevertheless, most critics seem to agree that a part of the landscape in the background and the figure of St. John the Baptist would have been performed by an auxiliary in the studio of Botticelli, based on clear ...