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Sunderlal Bahuguna (9 January 1927 – 21 May 2021) was an Indian environmentalist and Chipko movement leader. The idea of the Chipko movement was suggested by his wife Vimla Bahuguna and him. He fought for the preservation of forests in the Himalayas, first as a member of the Chipko movement in the 1970s, and later spearheaded the anti-Tehri ...
The Chipko movement (Hindi: चिपको आन्दोलन, lit. 'hugging movement') is a forest conservation movement in India. Opposed to commercial logging and the government's policies on deforestation, protesters in the 1970s engaged in tree hugging , wrapping their arms around trees so that they could not be felled.
The Khejarli Massacre was an inspiration for the 20th century environmentalist Chipko movement. [7] Several temples and a cenotaph in Khejarli commemorates the massacre, and the village is the site of an annual Bishnoi ceremony held in honour of the event. [6]
Gaura Devi came to the forefront of the Chipko movement in 1974. On 25 March 1974, she was told by a young girl that local loggers were cutting trees near their village. The men of Reni village had been tricked out of the village by news that the government was going to pay out compensation for land used by the army. [1]
A line drawing is the most direct means of expression. This type of drawing without shading or lightness, is usually the first to be attempted by an artist.It may be somewhat limited in effect, yet it conveys dimension, movement, structure and mood; it can also suggest texture to some extent.
Panduranga Hegde is inspired by Sundarlal Bahuguna and Amrita Devi Bishnoi in the area of environmental protection and is known as disciple of the latter. [3] During the 1980s, [4] Panduraga Hegde led people to protect trees in forest by embracing the trees or appiko (as in local language Kannada) when the contractors tried to fell trees.
The practice allows an artist to draw strenuous or spontaneous poses that cannot be held by the model long enough for an elaborate study and reinforces the importance of movement, action, and direction, which can be overlooked during a long drawing. Thus, an approach is encouraged which notes basic lines of rhythm within the figure.
The principle of solid drawing means taking into account forms in three-dimensional space, or giving them volume and weight. [12] The animator needs to be a skilled artist and has to understand the basics of three-dimensional shapes, anatomy, weight, balance, light and shadow, etc. [ 32 ] For the classical animator, this would be achieved with ...
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