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The Trinity Altarpiece. The Trinity Altarpiece, also known as the Trinity Altar Panels, is a set of four paintings in oil on wood thought to have been commissioned for the Trinity College Kirk in Edinburgh, Scotland, in the late fifteenth century. [1] The panels are now part of the British Royal Collection and are loaned to the Scottish ...
The Pala delle Convertite or The Trinity with Saints Mary Magdalen and John the Baptist, (the museum's name) or Holy Trinity, is an altarpiece by the Italian Renaissance painter Sandro Botticelli and his workshop, traditionally dated to c. 1491–1493.
The crowded altarpiece depicts the Trinity, with God the Father holding a crucifix with a still-alive Jesus. Above them, in a cloud of light surrounded by cherubim, is the Holy Spirit in the form of a dove. God the Father wears an imperial crown and a wide gilt cloak, lined in green and supported by angels.
Detail from the "Trinity Altarpiece" by Hugo van der Goes, showing Sir Edward Bonkil, first Provost of Trinity College, Edinburgh, with an angel playing a pipe organ. Giraldus Cambrensis noted that "Scotland and Wales, the latter by grafting the former by intercourse and kinship, strive to emulate Ireland in the practice of music". [4]
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
The altarpiece is composed of a central panel measuring 128.5 x 76 cm and two hinged wings 39 cm wide. The Throne of Grace (in Latin ‘Thronus gratiae’, in German ‘Gnadenstuhl’, in French ‘Trône de grâce’) depicted on the central panel is an iconographical type used c. 1120 in the Cambrai Missal. [ 1 ]
The retable was returned to St Mary's Church, Thornham Parva, in 2003, following eight years of restoration by the Hamilton Kerr Institute in Cambridge. [3] Using sturgeon glue, applied with tiny dabs of cotton buds, inch by inch the layers of grime were removed to reveal some of the original gold and a glowing autumnal palette of translucent reds, purples and greens which the original artist ...
Download QR code; Print/export Download as PDF; ... Pages in category "Medieval music albums" The following 3 pages are in this category, out of 3 total.