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The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
Bach structured the cantata in six movements, beginning with a duet, followed by a series of alternating recitatives and arias and concluded by a chorale. [7] Similar to several other cantatas on words by Franck, it is scored for a small ensemble: four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)), oboe (Ob), two violins (Vl), viola (Va), and basso continuo (Bc) including ...
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
1. “This Magic Moment” By The Drifters (1960) This ’60s number is bringing us back to our very first kiss. With every line, we can definitely agree that every smooch with our love is a ...
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
Weichet nur, betrübte Schatten (Dissipate, you troublesome shadows), [1] BWV 202, [a] is a secular cantata by Johann Sebastian Bach. [2] [3] It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen.
Dortmunder Bach-Symposion im Januar 1996 (in German), Dortmund, pp. 257– 263 {}: CS1 maint: location missing publisher ; Breig, Werner (1999), Bach: Concertos for Harpsichord, Neue Bach Ausgabe, Bärenreiter, preface Archived 2017-05-17 at the Wayback Machine (note there is a later edition with piano reductions by Werner Breig)
Amore traditore (Treacherous love), BWV 203, [a] is a secular cantata composed by Johann Sebastian Bach in Köthen between 1718 and 1719, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen.