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The different forms of kimono represented in the Khalili Collection include the furisode ("swinging sleeve"; a formal kimono for young women), the kosode ("short sleeve"; the term used for all forms of short-sleeved garments before the usage of the word "kimono") [13] and the uchikake (a formal outer kimono worn unbelted, typically by brides to ...
A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
Over time, as the sleeves lengthened and became more exaggerated, the furisode became a style of kimono worn mostly to special occasions. According to one 17th century text, boys could wear furisode until their 18th year, or until they went through their coming-of-age ceremony , which usually occurred in late adolescence.
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Kimono are always worn left-over-right unless being worn by the dead, in which case they are worn right-over-left. [33] When the kimono is worn outside, either zōri or geta sandals are traditionally worn. [33] A couple wearing kimono on their wedding day. Women typically wear kimono when they attend traditional arts, such as a tea ceremonies ...
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
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