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The Spanish version of "Move On", "Al Andar" (or "El Andar"), was recorded in January 1980 for ABBA's Spanish language album Gracias Por La Música with Spanish lyrics by Buddy and Mary McCluskey. Cover versions
On the disco dance charts, "Movin'" went to number 1 for four weeks and spent a total of twelve weeks on the chart. [4] Outside the US, "Movin'" went to number 23 in the UK in 1976 [ 5 ] and peaked at number 24 as "Movin' 1988" when remixed by PWL's Phil Harding .
Brass Construction is the self-titled debut album by the American funk band Brass Construction, released in autumn 1975 by United Artists Records.Recorded with producer Jeff Lane, the album weaves different influences, including Latin music and jazz, into the band's rhythmic funk style, and emphasises the group's brass section.
"9 PM (Till I Come)" peaked at number 14 on the German Singles Chart.Internationally, the song was also successful. In the United Kingdom, the single entered at the top of the UK Singles Chart on 27 June 1999 – for the week ending 3 July 1999 (though it had charted earlier in the year on import sales) – becoming the first trance song to top the UK Singles Chart. "9 PM (Till I Come ...
It was released in May 1975 as the third single and partial title track from the album Keep Movin' On. Originally, it was the theme song to the 1974-1976 NBC-TV series of the same name and references the lead characters of the series, Sonny Pruitt and Will Chandler, by name.
Approaching an original song for “The Color Purple” presented its own pressures. They had already worked with Bailey for “Be Yourself,” a Chloe x Halle song included on the soundtrack for ...
Movin' was a huge success in West Germany upon its release in October 1985. The album reached the top spot of the album chart in its third week of availability. [3] It went on to stay at no. 1 for 13 consecutive weeks and was in the top 10 for a total of 29 consecutive weeks. [3] Movin' ultimately spent 65 weeks in the Top 100 of the German ...
[13] [14] "Lips Are Movin" is a retro-tinged doo-wop and pop song, with production that makes use of handclaps, and a post-chorus chant reminiscent of the latter. The lyrics, too, reference it with the line, "I gave you bass/You gave me sweet talk." [15] [16] [17] Trainor assumes a Southern-inflected patois while singing over the song's ...