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In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist and its dualist (yin and yang) forms in application is a deductive and inductive theoretical model.
In its conventional orientation, the hot, bright, white yang nature rises while the cold, dark, black yin nature descends. Taoist esoterics often invert the symbol because they believe in this configuration the heat from the yang will be able to cook the jing in the yin producing qi which leads toward longer life and immortality.
In Chinese philosophy, taiji (Chinese: 太極; pinyin: tàijí; Wade–Giles: tʻai chi; trans. "supreme ultimate") is a cosmological state of the universe and its affairs on all levels, including the mutually reinforcing interactions between the two opposing forces of yin and yang, (a dualistic monism), [1] [2] as well as that among the Three Treasures, the four cardinal directions, and the ...
Bagua is a group of trigrams—composed of three lines, each either "broken" or "unbroken", which represent yin and yang, respectively. [1] Each line having two possible states allows for a total of 2 3 = 8 trigrams, whose early enumeration and characterization in China has had an effect on the history of Chinese philosophy and cosmology .
The symbol is a visual depiction of the intertwined duality of all things in nature, a common theme in w:Taoism. It is believed to be derived from the 14 th century Tiandi Zhiran Hetu (Heaven and Earth’s Natural Diagram of the River), Hetu (Diagram of River), Luoshu (Chart of Luo), Xiantian tu (Diagram of Preceding Heaven) and Taijitu ...
Comb., as yin-yang, the combination or fusion of the two cosmic forces; freq. attrib., esp. as yin-yang symbol, a circle divided by an S-shaped line into a dark and a light segment, representing respectively yin and yang, each containing a 'seed' of the other. yang (jæŋ) Also Yang. [Chinese yáng yang, sun, positive, male genitals.] a.
English: A jade Chinese pendant with an imitation of a Chinese cash coin and a "red brush", this pendant would supposedly bestow it's wearer with " good luck" and other Daoistic superstitions, in the Groninger village of Oude Pekela.
It is a symbol that reflects the inescapably intertwined duality of all things in nature, a common theme in Taoism. No quality is independent of its opposite, nor so pure that it does not contain its opposite in a diminished form: these concepts are depicted by the vague division between black and white, the flowing boundary between the two ...