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"Let It Be Me", a song by High Valley from Love Is a Long Road Let It Be Me (album) , a 2008 album by Jason Donovan Let It Be Me: Mathis in Nashville , a 2010 album by Johnny Mathis
"I Disappear" is a single by Metallica from the Mission: Impossible 2 soundtrack, which released on May 9, 2000. The music and lyrics were written by James Hetfield and Lars Ulrich, and they were joined by Bob Rock to produce the song. [1] The song's leak on the file-sharing service Napster prompted the band to sue the service. The soundtrack ...
"Let It Be Me" is a 1960 single by The Everly Brothers. The song is an English-language cover of "Je t'appartiens", which had been released as a single in France by Gilbert Bécaud in 1955. The song was a top ten hit for The Everly Brothers on the US Billboard Hot 100 and spawned many additional cover versions.
The single's B-side, "Less of Me", peaked at No. 44 on the US Billboard Hot Country Singles chart. In November 1968, "Little Green Apples" was released as a single in Brazil, but failed to chart. "Let It Be Me", was released as a single in January 1969.
"Let It Be Me" is a song by American punk rock band Social Distortion from their 1990 self-titled album. Released as a single, it charted on the Billboard Modern Rock Tracks chart at No. 11, and was their first song to chart there. A live version appears on their Live at the Roxy live album.
Queen Mary's Song" is a song written by the English composer Edward Elgar in 1889. The words are by Tennyson , sung by Queen Mary I of England as she plays a lute in scene 2, act 5 of his 1875 play Queen Mary: A Drama .
Let It Be Me is the fourth studio album by the Australian singer Jason Donovan. It was released in November 2008, and was Donovan's first new studio album in 15 years. It reached no.28 in the UK. The album is a collection of cover versions of classic songs from the 1950s and 1960s, with only the final track being an original.
The song begins with a discordant string harmony, [77] then a strummed D ninth chord acoustic guitar played by Yorke, [78] backed by B ♭ string tunes, creating a dissonant noise that moves between the D major and F ♯ minor chords. [77] O'Brien used guitar reverbs and delay effects, creating a melody that sinks between the A and E chords. [78]