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The Colossus of the Naxians is a kouros statue made of Naxian marble which was about 9 metres high, [1] now located in the Museum on Delos and originally from one of the islands of the Cyclades. The colossus is an example of archaic monumental sculpture and dates to the end of the seventh century BC.
Statue of a Naxian marble Kouros found at Ancient Thera and on display in the National Archaeological Museum Athens. Naxian marble is a large-crystaled white marble which is quarried from the Cycladic Island of Naxos in Greece. It was among the most significant types of marble for ancient Greece and it continues to be quarried in modern times.
Sculpture Treblinka is a memorial to the Jews murdered by the Nazi Germany at the Treblinka extermination camp in occupied Poland during the Holocaust during World War II.It was erected in 1979 in the Charlottenburg district of West Berlin, opposite the district court building where the files of the repressed Jews were kept.
List of paintings by Jean-Michel Basquiat; List of paintings by Frédéric Bazille; List of paintings by Arnold Böcklin; List of paintings by Hieronymus Bosch; List of paintings by Sandro Botticelli; List of works by François Boucher; List of paintings by Eugène Boudin; List of paintings by Valentin de Boulogne; List of paintings by Ford ...
This is a list of sculptors – notable people known for three-dimensional artistic creations, which may include those who use sound and light. It is incomplete and you can help by expanding it. It is incomplete and you can help by expanding it.
Sculptures by artist (66 C, 5 P) Sculptures by city (23 C) ... Pages in category "Sculptures" The following 6 pages are in this category, out of 6 total.
Artist Title Dimensions (cm × cm) Purchase date c. 1434 – c. 1436: Jan van Eyck: The Annunciation: 90.2 × 34.1 Jun 1930 c. 1478 – c. 1482: Sandro Botticelli: The Adoration of the Magi: 70 x 104.2 Jan 1931 c. 1482 – c. 1485: Pietro Perugino: The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene
Religious subjects dominated their output, and two major commissions allowed them to attempt a revival of the medieval art of fresco painting. The first was a fresco series completed in Rome for the Casa Bartholdy (1816–17; moved to the Alte Nationalgalerie in Berlin), a collaborative project by the Nazarenes that "marks the beginning of the ...