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The figure-ground theory of urban design and urban morphology is based upon the use of figure ground studies. It relates the amount of "figure" to the amount of "ground" in a figure-ground diagram, and approaches urban design as a manipulation of that relationship, as well as being a manipulation of the geometric shapes within the diagram.
The Rubin vase illusion, where it is ambiguous which part is the figure and which the ground Shapes which can be read as a word once the viewer recognises them as being the isolated negative spaces of a word. Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision.
Figure-ground organization is a form of perceptual organization, which interprets perceptual elements in terms of their shapes and relative locations in the layout of surfaces in the 3-D world. [16] Figure-ground organization structures the perceptual field into a figure (standing out at the front of the perceptual field) and a background ...
Figure-ground contrast, in the context of map design, is a property of a map in which the map image can be partitioned into a single feature or type of feature that is considered as an object of attention (the figure), with the remainder of the map being relegated to the background, outside the current focus of attention. [1]
One element of Rubin's research may be summarized in the fundamental principle, "When two fields have a common border, and one is seen as figure and the other as ground, the immediate perceptual experience is characterized by a shaping effect which emerges from the common border of the fields and which operates only on one field or operates ...
Figure-ground is the ease with which each individual symbol or feature (the figure) can be mentally isolated from the rest of the map (the ground). The rules for establishing figure-ground are largely drawn from the gestalt principle of Prägnanz .
Figure and ground (media), a concept developed by media theorist Marshall McLuhan; Figure–ground (perception), referring to humans' ability to separate foreground from background in visual images. Figure-ground perception is one of the main issues in gestalt psychology. Figure-ground in map design, the ability to easily discriminate the main ...
The use of negative space is a key element of artistic composition. The Japanese word "ma" is sometimes used for this concept, for example in garden design. [2] [3] [4] In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space.