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In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2]
For example, in "Every farmer who owns a donkey beats it.", the donkey pronoun "it" can be expanded as a definite description to yield "Every farmer who owns a donkey beats the donkey he/she owns." This expanded sentence can be interpreted along the lines of Russell's theory of descriptions .
In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
Example: "She sells sea shells by the sea shore". Anadiplosis: repetition of a word at the end of a clause and then at the beginning of its succeeding clause. Anaphora: the repetition of a word or phrase at the beginning of successive clauses. Anastrophe: changing the object, subject and verb order in a clause.
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
Analogy – the use of a similar or parallel case or example to reason or argue a point. Anaphora – a succession of sentences beginning with the same word or group of words. Anastrophe – inversion of the natural word order. Anecdote – a brief narrative describing an interesting or amusing event.
Her work in the areas of pragmatics and formal semantics explores how meaning is conveyed through anaphora, definiteness, and specificity of referring expressions, the modeling of presupposition and implicature, and methods for capturing modality, mood, tense, and aspect of verbs in language.
The Elements of Eloquence: How to Turn the Perfect English Phrase is a non-fiction book by Mark Forsyth published in 2013. [1] [2] [3] The book explains classical rhetoric, dedicating each chapter to a rhetorical figure with examples of its use, particularly in the works of William Shakespeare.