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The xylophone-like ranat was used in Hindu regions (kashta tharang). In Indonesia, few regions have their own type of xylophones. In North Sumatra, The Toba Batak people use wooden xylophones known as the Garantung (spelled: "garattung"). Java and Bali use xylophones (called gambang, Rindik and Tingklik) in gamelan ensembles.
The balafon (pronounced / ˈ b æ l ə f ɒ n /, or, by analogy with xylophone etc., / ˈ b æ l ə f oʊ n /) is a gourd-resonated xylophone, a type of struck idiophone. [1] It is closely associated with the neighbouring Mandé, Bwaba Bobo, Senoufo and Gur peoples of West Africa, [1] [2] particularly the Guinean branch of the Mandinka ethnic group, [3] but is now found across West Africa from ...
The pattala (Burmese: ပတ္တလား patta.la:, Burmese pronunciation:; Mon: ဗာတ် ကလာ) is a Burmese xylophone, consisting of 24 bamboo slats called ywet (ရွက်) or asan (အဆံ) suspended over a boat-shaped resonating chamber. [1] [2] It is played with two padded mallets.
The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with ...
The earliest known description of ranat in Thailand [3] Ranat ek was originally an instrument called Krap. A pair of krap was used to keep the rhythm in ensembles. Later, krap were put into a series. However, the tones when the bars were struck were out of tune. Then it was decided to make a series of krap on two tracks to support it.
The word "roneat" is a Khmer word for the bamboo xylophone, which is an ancient musical instrument of Cambodia. According to the Khmer national dictionary, roneat means xylophone and is described as "the percussive musical instrument that has a long body where its bars are made from bamboo or other good quality woods or metal bars striking with a pair of two roneat sticks played in the pinpeat ...
Central Africa-type xylophones: consist of a set of wooden planks laid on banana logs. These are becoming increasingly rare since they are less portable. Frame xylophones: contain wooden frames and calabash gourd resonators. The Beti people play large ensembles of frame xylophones, which they call mendzaŋ. Also called nzaŋa in Mbum and ...
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2]